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ARIEL DU

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ARIEL DU

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ARIEL DU

  • PERSONAL REFLECTIONs

    The wind blows.

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    POEMs

    Stay confused.

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    PLAYs & FICTIONS

    Bloom with all your life.

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    UNDERGROUND ENCOUNTERS

    How is the story of a life told?

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    MUSIC PRODUCTIONS

    Let's throw a party!

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    others

    Want to know more about me?

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  • PerSONAL REFLECTIONs

    The wind blows

    A Thousand, Ten Thousand Times
    October 22, 2025
    Preface: The following passage may feel lengthy. It contains some of my reflections on philosophy...
    In san francisco
    October 22, 2025
    San Francisco always feels like home to me. The first time I came to the U.S., we often took the...
    epiphany
    October 22, 2025
    Epiphany. Constraint. Place. Time. Paralysis. Escape. Dublin, Taipei, Naples, too small to...
    Self-deception
    October 22, 2025
    The grass and trees surge with life, yet I am still who I am. Long hours of intense study are...
    Romeo and Juliet
    October 22, 2025
    When everyone mourned Juliet’s death, I suddenly noticed—the actors on stage have such clear,...
    Flesh
    October 22, 2025
    For a long time, I didn’t understand how words like “body” or “flesh” came to be. They seemed...
    I am not a typical debater
    October 25, 2025
    I will never be considered a standard debater, but I do believe that I love debate more than many...
    Elitism
    October 25, 2025
    As the sun struck the glass and sharpened the vagueness, I was rewarded with a clear view of...
    Moon, where are you takeing me to?
    October 25, 2025
    As the plane was about to land in New York, I saw a beautiful moon—it looked just like my...
    More Posts
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  • POEMS

    STay confused

    The second marcia

    2023. 12

    At the fork in the road, you pause.

    Fate brings you choices

    , and pain walks beside them.

    Marcia, you see it—

    Your back is against an accelerating ruin.

    Two paths before you:

    One carries Satan’s nightmare,

    which the world writes off as indulgence.

    The other blooms with fire upon its wounds,

    where greatness may be allowed to appear

    as the sea rises in rage—

    and all of it asks you

    to annotate it with reason.

    Mortals are promised eternity.

    Yet when you see through everything,

    when you peel reason layer by layer,

    you discover it brings nothing;

    only grief pours itself out freely.

    Only when the stars no longer cover the night

    will I proudly speak in defense of every mortal.

    Only when greatness no longer needs a border—

    despite the debaters in the square,

    the applauding crowd in the theater,

    the praying hands in the temple—

    all of them born already toward ruin—

    Life will blaze.

    Even if the stage collapses at its climax,

    There we will live to the limit,

    Even the tombstone pitying this life:

    “Here lies her soul,

    one choice,

    one who, having everything,

    lowered the curtain.”

    Where are you, Ganga?

    2023. 08

    When the black ash of burned bones

    was scattered into the Ganges,

    from the hospital by the shore

    , the cries of the newborn rose.

    Was it the end of one life,

    or the beginning of another?

    No one could know.

    The youth whose journey had ended

    returned to his broken inn,

    washing the black from his face.

    At that same moment,

    a child newly born

    received its first baptism

    under the tap in the hospital.

    From cracks in the pipes

    rats shrieked—

    their day of foraging begun.

    The sun fell.

    A mother’s ashes,

    carried on the sunset,

    spread into the air

    and dropped into the Ganges.

    On the shore, the people sang:

    Mother,

    those who bathe in your waters

    need not be born again.

    Ganga,

    You deserve the highest reverence.

    You destroy the sins of those

    who surrender to you;

    you deliver them from hell.

    Across the river,

    daylight fell from the boatman’s eyes.

    I had never seen such eyes before—

    like withered dandelions

    touched by immortal dew,

    blooming from cracked earth.

    God,

    I cannot believe mortals’ eyes are empty.

    I cannot believe mortals’ hearts are anchorless.

    Then the bell rang.

    The old man turned his gaze.

    Behind him the sun withered,

    and in his eyes

    was the holy light

    of Hari and of Ganga.

    He collapsed,

    fell at the feet of the Lord,

    in the river’s center.

    The boat drifted past.

    His pupils, once pale,

    turned slowly blue—

    the color Klein once mixed,

    clear as water,

    reflecting the tourists’ startled faces

    and their cursing gestures.

    The boat grew lighter,

    by twenty-two grams.

    A coin traced a graceful arc

    across the deck,

    flashed,

    and vanished into the still water.

    THE city of god

    2024. 11

    If we were to meet again

    in heaven where nothing ends—

    If God is ever alive,

    If every man was born in sin—

    Then there is nothing to regret.

    When right turns wrong

    and sin becomes the crown—

    If we could ever live again,

    Why would we kill?

    Why should we cry?

    If love never ends,

    There is nothing to fear,

    nothing to hide.

    if one day we die

    With divinity by our side,

    if all souls unite

    in heaven once again,

    I would pray,

    and I would be alive.

    If there is love,

    there must be hate.

    If all must be decided,

    then I will seize it till I die.

    But if I could ever hold

    the burst of joy,

    then I would fight.

    It is laughter we need—

    without reason,

    without fear.

    It is joy that cures,

    it is love that heals.

    We are born in sin,

    yet we are gifted.

    We walk on cement,

    yet a lane opens behind.

    If you are the lucky one,

    then you must be kind—

    for divinity is never ours to own.

    We kill because we wish to decide,

    but none of us was born to be defined.

    There would be no solitude,

    and there would be no crime,

    if we could only hear

    the sounds of joy,

    the sounds of delight,

    the sounds of hate,

    the sound of pain.

    Then there would be nothing to regret,

    for our souls remain open

    to the mercy of God.

    If it is sunshine we feel,

    if it is wine we brew,

    if it is Christmas that unites us—

    we are born in sin

    but leave as gifted.

    If it is food we enjoy,

    if it is family and friends,

    we should call it grace, not crime—

    for this is how we are lifted:

    with hope,

    with kindness.

    If one day we stand

    in heaven side by side—

    no one owed,

    and no one blamed—

    then do it for me,

    if you are the luckier one.

    There would be no blame,

    and no hate.

    There is something

    we must believe,

    though no one can decide,

    and no one can know.

    If one day all ends

    except the soul,

    except the lines—

    then each must decide

    how to live,

    and what to live for.

    If all souls unite

    in heaven once again—

    why should we cry?

    Why would we lie?

    I, Don Quixote

    2024. 07

    I have wandered through many heavens,

    Yet I remain among men.

    The world itself is a vast hell,

    and those within it still dream of paradise.

    Some live in heaven,

    but have walked through countless hells.

    Some dwell in hell,

    yet once lingered in heaven.

    They ask:

    Lord, where should I go?

    They pray:

    God, may light invite me forward,

    or grant me a life not wasted in ruin.

    By the river, there are blue veils, white markings,

    souls weighing twenty-two grams, and a single coin.

    Why celebrate a child’s birth here,

    if his long years will be bound to this shore?

    Why scatter a mother’s ashes here,

    if she will one day light the moon with river water?

    Why linger to preserve a moment,

    if even heaven and earth cannot hold eternity?

    Sleep well, my little philosopher.

    In dreams, nothing is memory,

    nor can it ever become memory.

    Sleep well, not yet called poet.

    In dreams, no past is questioned—

    neither paradise nor hell.

    Sleep well, O moon.

    When gold dust combs your hair,

    may people forget the sunrise before this coal-dark sky.

    Sleep well, child.

    Here you will rest,

    and here again you will rest.

    Sleep well, all judges.

    The scales of fate

    need no longer be clenched in your hands.

    Sleep well, all guilty and innocent alike.

    What binds you

    is only the mortal heart.

    Sleep well, God.

    You have seen all creation,

    but never—

    your own face.

    Reverse that clock

    2024. 05

    On the chance page,

    sunlight will never fall again.

    The crossing angles,

    no longer sharp,

    have lost their brightness.

    Heavy snow descends

    into the onrushing summer,

    and beneath the roses

    a broken heart blooms.

    And then,

    in the reverse direction of memory,

    he stumbled

    on last night’s clock.

    How long has the mirror refused

    to look straight into my eyes?

    How long has the sky gone unscarred

    by its bent reflection?

    How long has time been withheld

    the searing mark of its brand?

    I don't know, where I am going

    2024. 09

    I don't know, where I am going.

    Above me falls a sky in fragments,

    dropping with the rain,

    blending into that unspoken,

    stained shade of violet,

    then edged sharply

    by a bruise of brown and yellow.

    Beyond, the black dissolves

    into a wash of indigo,

    with lamps, ships,

    and buildings barely discernible—

    all sealed, for an instant,

    in the backward glance of an eye.

    The Bright, Bright Night

    2025. 04

    That night was bright.

    He could see the half-fading stars,

    He could see the moon.

    That day, the sunlight was clear,

    The trees stood vivid.

    Only the sound of the wind remained,

    and the clouds

    moving quickly on.

    The wolrld lives in you

    2024. 05

    Time weaves its threads into the tapestry of our being,

    leaving imprints of moments, memories, and dreams.

    Whether the wind pushes you, circles you,

    brushes past, seizes you, or lets you go—

    whether the sunlight loves you, or you love it—

    whether you choose to live when everything burns—

    you live in the world

    when the world lives in you.

    How long does it take,

    for people to escape their poems—

    or to breathe life into them?

    The foul

    2023. 11

    Foul is fair, and fair is foul,

    when St. Noah is filling his pool.

    Delacroix stands

    beside the door of doom,

    and the corpse hanging

    isn’t willing to fall.

    THe new dictators

    2023. 09

    We go out,

    but went in.

    The strongest,

    but thin.

    It is a kingdom,

    yet without a king.

    Hail to the greatest!

    Hail to nature!

    And, remember…

    All is a venture.

    Love

    2024. 06

    If everything is predetermined,

    then what does my love mean to you?


    Not what your love for me means.

    Not what my love for you means in response.


    But what my love for you,

    by itself, means.

    BACK TO TOP
  • Plays and fictions

    Bloom with all your life

    THE DREAM

    This dream unfolds like a shifting story, where death, childhood, family, and identity blur into one another. Children become objects to escape mortality, a mother’s fears turn into punishment, and a journey through cars, corridors, and underground rooms reveals both danger and belonging.

    What begins as a nightmare of loss ends in the warmth of a study hall, suggesting that even within fear and confusion, there is always a hidden doorway toward community and light.

    VIEW

    THE MAYOR's study

    This piece is set as a dialogue in a study, between Ariellonius, a philosopher of uncompromising honesty, and Grizabella, a mother anxious about her child’s future. Their exchange is not just domestic worry but a meditation on what it means to remain true to one’s heart amid ambition, mediocrity, and the lure of worldly success.

    I imagined their words on stage—half confession, half parable—reminding me that the most difficult task is not to achieve greatness, but to keep one’s integrity intact.

    VIEW

    When Justice Falters

    This excerpt is an original dramatic script exploring the tension between justice, power, and personal morality. Through the characters of Sydney, Thiele, and Daenerys, it stages a clash between law and conscience, between tyranny and freedom, and between love and betrayal. The play is written in a Shakespearean mode, combining heightened poetic language with psychological depth, while still reflecting modern anxieties about authority, rebellion, and human vulnerability.

    VIEW
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  • Underground encounters

    How is the story of a life told?

  • Part of the collection.

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  • Music Productions

    Let's throw a party

    Section image

    WITNEss

    The queen doesn’t begin as a queen.

    She begins as a girl with dirt on her shoes, humming her mother’s tune to an empty field.

    The crown comes later—heavy, cold, and far too bright.

    This is her voice, years after the coronation, when the stone begins to remember the warmth it has lost.

    PLAY
    Section image

    The cost of the crown

    They wrote her out of the stories—her name a whisper, her face a shadow behind the throne. They said she was born to serve, to stand behind kings, to hold her tongue while others spoke of glory. But she listened to the wind, where the old sky called her name, and from her silence she forged fire.

    The world saw her rise and called it rebellion. She called it survival. The mountain they feared to climb—she built her throne there, not of gold, but of endurance.

    This is her story: the woman who carried her name through ruin, and became the flame they couldn’t extinguish.

    PLAY
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    MARCIA

    This piece is the French version of a section from my poem The Second Marcia.

    It captures Marcia at a moment of choice—two paths before her, each promising both pain and greatness, each demanding interpretation.

    The poem unfolds as an argument about fate, reason, and the dignity of mortal life: how greatness can emerge even as the world collapses, and how, at the end, one might lower the curtain with self-possession.

    PLAY
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  • Others

    Want to know more about me?

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    My podcast

    Founded in 2023.

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    me and my debate team

    This is August 2025, in Chengdu.

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    me with sspc peers

    SSPC Shanghai!

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    Me in school community service

    (My girlfriend is also in this pic! We are in the middle.)

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    me and my brother (he being upset!)

    Summer vacation in Boston.

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It's a large step for every one of us.

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